Nice find Michelle!
GRAVITY // UN RÊVE DE DEMAIN from Filip Piskorzynski on Vimeo.
The strategic branding and interactive firm Clark + Huot came to me by way of Twitter. I was intrigued by their blog, their Canadian-ness and devotion to sharing new music. The firm recently opened an office in New York. To head up their Digital Practice, they hired Benjamin Falvo, founder of the NYC digital and interactive agency Dream Store, known for his highly successful interactive event that fuses old time roller disco with modern sites and sounds called Down & Derby.
You’ve found success in interactive design with little training from traditional advertising or design agencies. What kinds of experiences and know-how do you bring to the table that you feel those that follow a safer path are lacking?
I wouldn’t necessarily describe it as safer. I think what I bring to the table is initiative through energy and not being able to be afraid to think differently. I also think my perspective from not taking a traditional path helps me generate ideas that would otherwise not be brought up.
At Dream Store, the company you founded, you offered clients both interactive/design and event consulting. How did these two different offerings compliment each other?
Having both of these skills allows me the ability to create a complete experiential platform for clients and also the vehicle to communicate it as well.
Did planning events ever tie into your website design work?
Yes… but that’s why I built an amazing, eclectic and experienced team around me so we could carry out all projects at the highest level. There was definitely a learning curve when I started doing the event based projects and tying them into web initiatives. However once it was achieved it was refined over and over again until I felt we could approach any project and be able to caveat for any type of challenge.
Just think about this… if you want to find out about a product, service or even a person… what’s the first thing you do? Search for it on the web. It is critical that we represent our clients in the absolute best possible light and in this era, our first impression is whatever we see on our computer, tablet, smartphone, etc.
There are so many different aspects to digital beyond building websites, creating social media campaigns or mobile apps. What areas of digital are you excited to explore through this new partnership?
I’m really excited to do more work on brand initiatives and how they are communicated on a global scale through the web. Working with Clark + Huot allows me the privilege to bring my experience to the conversation at the table.
You are tasked with helping to generate new ways of thinking and working within Clark + Huot. What are some activities, places you go or things you read regularly that help keep your thinking fresh?
I’m a big history buff (I suppose). I read a lot of historical books. I’m really fascinated by how people move both physically and culturally through time. I feel that is always a relevant conversation and topic in the work that we do. Some of the things I do to keep me thinking fresh? Some days I just go on a walk through the city for 40 or 50 blocks… it allows me to clear my head. It also exposes me to so many different people from all types of backgrounds in the city… similar to the historical stuff. But seeing every type of person is very inspiring. I know that sounds cliché.
Speaking of fresh thinking, Clark + Huot is based in Winnipeg, Canada, seemingly an entire world away from New York City. What have you learned from working with people from such different backgrounds as your own?
The amazing sense that there are so many common themes about humanity cross-culture.
And finally, who would be your dream client? Or what category would you love to work with at Clark + Huot?
I think it would be something involving travel. I’ve worked with big brands, which are great. However I love travel. I would love to create a great web experience for people so they can really envision a place, thought, feel of whatever culture they will be traveling too.
I highly recommend picking up a copy of the February issue of Fast Company. It has a few great articles about people who have forgone the traditional career path by working in unrelated industries and changing job functions every few years. As someone who switched careers, I’m often asked why I made the switch and told to show how the skills I learned as an art buyer translate to account planning. Although I wish I had discovered planning sooner, there’s no question that my past experiences as an art buyer and experiences outside of work have helped me in my planning career. In addition to their feature article, The Secrets of Generation Flux, Fast Company profiles an account planner at the Minneapolis agency Fallon, Veda Partalo on how she helped re-invent Cadillac and boost sales. Possibly her most telling insight into the Cadillac consumer came when she interviewed valets at nice restaurants in major cities throughout the US. See how she takes various data points from her own experiences and first hand interviews and translates it into an insight that she turns into a strategy.
BY: DAN SLATERJanuary 9, 2012
Veda Partalo and a Caddy. Together, they almost look like an advertisement. | Photo by Michael Edward
The woman in my passenger seat says to kill the engine and restart it. I do, igniting a deep humming gurgle that crescendos, enveloping us in the reverberating neigh of 556 supercharged horses. The dials go green. The needles flutter past the redline. My audio-somatosensory experience has been fine-tuned to elicit maximum dopamine release, to provide an experience so radically unique that I might see an ancient thing in a modern light–even something as fossilized as the 110-year-old “Standard of the World,” that old floaty boat, the Cadillac.
“I wanted you to experience that,” says my passenger, 28-year-old Veda Partalo, planning director at Minneapolis-based Fallon, the ad agency tasked with completing Cadillac’s decade-long makeover. It was proof: The car whose blinker your grandfather left on for miles–the car overtaken by Mercedes-Benz in the ’70s, by BMW in the ’80s, and by Lexus in the ’90s, when rising prosperity meant rising demand for foreign stuff–is gone.
The new line, evolving since the 1999 Escalade, is beautifully tricked out. But in the car-selling business, particularly the luxury market, mechanics are not enough. Everything is shiny and fast. So Caddy has a unique marketing challenge: How do you shed the old stuffy image that brought it down 40 years ago and yet retain the thing that once made it great?
A creative and smart twist on crowd-sourcing by Butler, Stern, Shine & Partners for Mini-Cooper. Like an improv show, BSSP asked fans to describe in six words their best test drive experience and then crafted an ad using the contest winner’s words.
This video is amazing and this girl is a genius.. for a 4 yr old?!
Are you just as excited as I am about all the trend reports for 2012? 2011 was such a tumultuous year and it brings to mind the idea that things have to get worse before they can get better. Well.. I’m hoping 2012 marks the year things get better. Most notably, I think there has been a breaking point in how much longer we will put up with a broken system, selfish politicians, people and corporations – a sentiment that’s echoed throughout the world. And I’m hoping that 2012 is the year where we realize that selflessness, intelligently redistributing wealth and focusing on sustainable practices is good for everyone all around.
Slowly but surely, American corporations are moving towards sustainability. In fact, it was reported in Ad Age today that Unilever is putting their $6 billion global account in review because “We want to make sure that we continue to have best-in-class agency partners to deliver Unilever’s vision: to double the size of our business while reducing our environmental impact,” Mr. Di Como said in a statement. “We will be looking at strategic planning and in-market execution capabilities from our agency partners.”
And before you say that they’re greenwashing, according to Climate Counts, a non profit, Unilever has the highest climate count score under Food Products for their climate footprint, reduction of global warming impact, support of climate legislation and their practice of publicly disclosing climate intentions and practices.
So I leave you with JWT’s Annual Trends for 2012. I specifically hope the Rise of Shared Value #4 becomes mainstream. As we see with Unilever, Coke, Nike, Levi, L’Oreal, Clorox, GE, etc., companies can be both successful and environmentally sustainable. Now if only Apple could get on board.
What do you think?

Richard Wise is the resident Brand Anthropologist at the experiential marketing firm, Mirrorball. He received a masters at the University of Sorbonne in Paris and has spoken at various conferences, most recently the Future Trends Conference in Miami. You can follow him on Twitter @CultureRevealed or his Tumblr where he highights a plethora of interesting cultural trends and insights.
As a cultural anthropologist, you approach planning from an intellectual, academic angle. How valuable is the study of cultural trends to brands?
Look at the list of problems brands bring you to solve. They almost always come back to cultural issues.
“Our franchise is aging and we’re starting to look dated.”
“People don’t talk about us as much as they used to.”
“People say we have an arrogant, out-of-touch image.”
“People don’t know what we stand for.”
So…you’re losing it with the group because what you stand for is no longer valuable to them – to their culture!
The thing about culture and brands that makes it so challenging is this; culture hides more than it reveals – and what it hides, it hides most effectively from its own participants. You can’t understand that fully unless you go live in another culture and, starting as an outsider, become an insider. Then you go back to the culture you came from and suddenly you can actually see all the hidden meaning. And this is true for people who work on brands and try to solve the cultural problems of the brands without actually understanding their own culture. They won’t get very far.
The opposite is wonderfully true. The more you make serving the culture your brand mission, the faster you will grow – and it will feed and feed on itself. While most companies have been stagnant or declining in the last ten years, Apple‘s revenues, profits and public valuation have grown vertiginously. It all started with the return of Steve Jobs and their publicly thanking their fans with the “Think Different” campaign.
There’s a minor war in the advertising world between traditional agencies that tout their big idea thinking and a rigorous approach to research and smaller, digital agencies that are well versed in current digital trends. Who do you think will win the “war” and why?
Remember that pre-Internet classic, Ogilvy on Advertising? I always love to get free advice from Uncle David. He said in his charming book, published in 1985 by the way, that his best advice to young men and women in advertising would be to learn everything they can about direct response – because it’s the future of advertising. You can see what works and what doesn’t, you have to lean forward and sell, one person at a time, like Ogilvy did when he sold stoves door to door. He indeed saw it all coming and he was right.
So big agency, digital shop…everybody looks for evidence of what works, what’s surprising and fresh, what people really want to experience. And the only way to find that is to experiment. If you’re conducting meaningful experiments then you have as much of a chance as anybody of owning the future.
That being said, I like what Karl Marx said: “Every time the train of history goes around a corner, the reactionaries fall off.” The bigger you are, the more likely you are to be a reactionary. My heroes are guys like Ogilvy and Bernbach because they stayed humble and curious even as they got enormously successful. And I think Robert Greenberg is just like that too.
The race today goes to whoever likes to learn the most and is fast at it. But I like to think that, if you’re slow, but you love to learn, you may have an edge over the fast learner who’s arrogant.
What books, magazines and activities do you experience to remain on the cutting edge of cultural trends and developments?
The most important thing I do is read books that have nothing to do with marketing or brands but books about human nature and civilization. Most recently, I read two masterpieces of cultural anthropology: Becker’s Denial of Death and Girard’s Things Hidden Since the Foundation of the World. I saw King Lear at the Public Library. I walked through the Frick Collection. I do this because it’s one of the best things I can do with myself. It always pays dividends in my work – provided I don’t directly seek them.
OK, then there’s thinking about marketing, brands and culture. Tumblr by itself is more than enough to be endlessly enriched, stimulated and provoked. If you curate the right list of people to follow you will be in the kitchen of emerging culture where it’s all being made right before your eyes. I read the Wall Street Journal, the paper itself, every day – my God, it’s so beautifully designed and it has amazing trend info. If you don’t have time for it, though, follow me on Twitter, I always tweet out their best stuff. I also love a couple of key websites: sciencedaily.com and psychologicalsciences.org. And I live in Bushwick – there’s something about the experience of living there, not being a tourist, that’s very valuable.
At the recent Future Trends conference, you gave a presentation on two cultural phenomena, FameUs, and AnonymUs, showing how everyone wants to be famous while at the same time, wants to contribute to the greater good. Are these attributes just two different sides of the same consumer or completely different targets?
I don’t believe that trend work should be some kind of glossy PC channeling of the Zeitgeist. It should describe what is really going on. I also believe that for every trend, there is a countertrend. So here’s how I apply that with the shift taking place in our public and private selves.
On the one hand, FameUs describes the ever-widening sense of intimacy we have with our celebrities, the feeling of control we have over their self-expression and the growing conviction that we ourselves are going to be famous.
Its countertrend is AnonymUs – the growing conviction that so much of social media is communal narcissism, the impulse to unplug from a culture of celebrity worship, and the spiritual inspiration to lose oneself in pursuing a greater social good.
How we experience and live in these trends varies from one person to the next. You can be your own Lady Gaga 24/7. Or you can wear unbranded vintage clothing that you bought at The Cure while you volunteer at the Homeless Shelter. And, just to keep things interesting, you can try to live in both trends simultaneously like the cast of Dr. Drew’s Celebrity Rehab. Same thing for brands – they, too, can go to Rehab like Domino’s Pizza did, to great success, improving their store sales by 10% in one year.
The recent New York article The Kids Are Actually Sort of Alright, shares some of your findings about Millennials thinking they’ll be famous someday while focusing on their reality as unemployed and disillusioned with the system. How can brands target these consumers given our current economic climate?
OK, suppose we’re Westinghouse or Maytag. Why don’t we open stores for refurbished vintage home appliances? They did it with manufacturer’s certified “pre-owned” automobiles. Why not fridges and stoves from the different decades? Why not train people in all these stores on how to refurbish vintage appliances? That would create local jobs. The appliances would look great. And you’d be reclaiming, not just sending things to the dump. I think there’s a lot of opportunities like that if brands would ask: how do I create jobs, how do I distribute my brand idea and logistics locally, how do I own not just what I make but what I have made?
As advertisers, working in trend setting cities like New York, San Francisco, Portland, etc. how can we be sure that our observations on trends reflect the viewpoints of the rest of the country? Should brands look to be ahead of the curve or eye to eye with consumers?
Go live in your trendy neighborhood – you want to see what’s coming next. But here are some suggestions, based on my personal experience, on how to avoid becoming nothing but a snob. Truth in advertising: I am a snob but I am not JUST a snob. Sign up for thankless volunteer jobs. Go to a regular, old-fashioned church and listen and learn. Call your Mom and find a way to be of service to her. Try to avoid gossiping about anybody for one day. Take a cross-country drive and hang out at truck stops. These are all intrinsically good things to do but they will also help you in your work.
Finally, can you give young planners with varying backgrounds advice on how to incorporate cultural anthropology into their research and brief writing process?
Show respect for the dignity of your fellow human beings but try not to be so PC. PC is the sanctimony of our time. Sanctimonious people don’t make very good art nor do they write very good briefs. Be curious, humble and open-minded. Always give into your curiosity and don’t be afraid to admit you don’t understand why people behave a certain way or prefer a certain brand.
Since moving back to the East Coast in March, I have had the privilege of living in three different apartments, three distinct neighborhoods and with a total of six people, all within Brooklyn. I lived with people from all different backgrounds and ages, from a 20 year old college student about to enter her senior year of college and become legally allowed to drink, to a 39 year old Harvard educated, former doctor about to hit a very different milestone.
I experienced, witnessed and lived through countless events on a historial and personallevel. During the hurricane that wasn’t, also my last weekend in Prospect Heights, I was awoken by the falling of a huge tree right outside my window, a tree, that I later found out, had been in front of the building for over forty years.


A week later, settled into my new neighborhood of Crown Heights, only a ten minute walk but a world of difference, I came home one night to a swarm of policemen and roped off sidewalks. There had been a major shooting 6 blocks from my apartment and two people had been killed, including an innocent bystander. This shocked the neighborhood, an eclectic mix of West Indians, Orthodox Jews, white, creative professions and hipsters. I’ve only been in “my” Park Slope apartment for nearly a month and with a new freelance gig, my reality has changed dramatically. It seems that with each apartment, there is the possibility of a new beginning and I am making the most out of every moment.
My first apartment in Prospect Heights was a world of first’s; first time being outnumbered by male roommates, living in Brooklyn and living in an up and coming neighborhood. My neighborhood was more racially diverse than the East Village but less diverse than my home town.The local ice cream shop, Blue Marble, catered to hipster parents with young children, eagerly lining up for all natural ice cream and young professionals, like me, excited that my fair-trade iced coffee came in a compostable cup. My apartment building was a mix of young, white professionals and African Americans of all ages, some with kids and some who had been in the building their entire life. The neighborhood itself consisted mostly of brownstones, nearly as beautiful as Park Slope but not as crowded or as developed. Vanderbilt was lined with only a handful of restaurants and Washington had various hidden enclaves like Sit & Wonder, among local corner delis and laundromats.
My next Brooklyn apartment in Crown Heights coincided with one of the most difficult experiences in my life financially and emotionally. The cliff notes are that my cat nearly died and some other stuff happened that I’d prefer not to write about. I don’t have many fond memories of my dark apartment, with a window that overlooked a garbage filled courtyard, but I’m happy to have discovered Franklin Avenue and all the lovely restaurants. Most importantly, I’m still trying to cope with not having Chavela’s corn on the cob once a week. And I’m still kicking myself for having only discovered, a week before leaving, that Abigail Cafe, with their mellow atmosphere and healthy menu is the absolute perfect work spot. I usually went to Glass Shop on Classon which was a great coffee shop but you can only drink coffee so much before you need a real meal.
Finally, we come to Park Slope. Call me simple, but I am easily influenced by amazing food and like Crown Heights, there are culinary delights to be found. I had my mind expanded and blown away the other day with a breakfast dish from Juventino, two poached eggs over wilted greens (swiss chard perhaps?!), brioche with garlic infused chicken broth poured over the dish – a perfect cold day, fall or winter treat.
And now instead of “hipster cafes” with freelancers on laptops, I’m a block away from Café Martin, a coffee shop with enough French staff to allow me to pretend I’ve just stepped into Paris. Now, instead of being surrounded by “hipsters,” I’m surrounded by parents with their children who have won the clothing battle. Once again, a am faced with an entirely new beginning and a neighborhood full of new discoveries. What’s your favorite neighborhood in Brooklyn?


It’s hard to write about Occupy Wall Street and say what has not already been said but I’ll share my thoughts. If you live near New York City, you should visit the movement because it’s unique experience that can’t be fully taken in through pictures. I absolutely support the movement. These people are sacrificing their time, comfort and daily lives to stand up to a system that is not working. And when I say system, I believe it’s not the absolute fault of Wall Street, but an entire American system that includes people spending beyond their means, a culture that values having more stuff, government regulation or lack of, politics, unions, our health care … the list goes on.
Their two weeks of occupation is gaining more traction than countless opinion articles in the New York Times and they’re doing more than most of us who are merely complaining to our friends and family about our anger against Wall Street. Occupy Wall Street looks like a scene from an apocalyptical movie where people from all walks of life come together to fight for a cause. You have the Jesus lovers, hippies, homeless, yuppies, students, blue collar workers, old, young, musicians, super heros, yogis, and then you have all the people coming to observe this cast of characters, capturing moments with their iPhones, iPads, point and shoot video cameras, fancy cameras, analogue cameras, or pens and notebooks. There are people who choose to protest with their voice in song, use their wit in clever signs, their t-shirt design skills, their sub-conscious in meditation, or their hands letting their instruments speak. And their are the cops who stand around doing their job and watching the movement with amusement.
But a picture tells a thousand words.
Just thought this was perfect Monday morning inspiration. This commercial for Levi’s by Wieden + Kennedy brings tears to my eyes every time I see it. What an amazing insight – the idea that when things break, or are not working out, it gives us an opportunity to work hard and make things better. Think about all the areas this can be applied to – our economy, our country, our infrastructure and most importantly, when we have personal failures, we can rise above them, work hard and become better versions of our selves. For me, the start of crisp fall weather and reminder of starting school always signals a time to start again and work with gusto.